Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.
Lemony Snicket curated a “children’s poetry portfolio” for Poetry, however the poems contained therein “are not made for children.” Take a look for yourself. There are selections from Maram al-Massri, Carl Sandburg, Katerina Rudcenkova, Ron Padgett, and more.
In random-but-awesome news, Geoff Manaugh‘s BLDGBLOG reports on a new project by Dutch earth scientists to piece together what they’re calling an “atlas of the underworld.” Using CT scans to visualize “invisible landscape features—the ghostly remains of entire continents—hidden inside the planet,” the project will reveal a surface within earth’s surface. See also: our review of Where You Are, an anthology of sixteen alternative maps by a range of artists and writers including Geoff Dyer, Valeria Luiselli, and Leanne Shapton.