“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
East of the West author Miroslav Penkov is sitting pretty these days. The Bulgarian fiction writer recently nabbed the BBC International Short Story Award for his collection’s titular story, “East of the West.” With a purse of £15,000, this is the world’s biggest prize for short stories, though typically it considers work by British authors only. However this year, due to the 2012 Olympics, the field was expanded to include international writers. All five judges unanimously picked Penkov’s work over the nine other submissions. You can read an excerpt online courtesy of Google Books, and you can get a little more acquainted with Penkov’s themes on Picador’s Tumblr.
Libraries, if they hope to survive in the digital age, should do away with physical books and become sites of physical interaction instead, argues David A. Bell. For a starkly contrasting opinion, see Charles Petersen’s critique of the NYPL’s plans to do just what Bell recommends.
“[A]n audio odyssey through fiction, archival tape, interviews, and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting-edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more!” Did you know The Paris Review has a new podcast? See also: our interview with current TPR editor Lorin Stein.
“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.