New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Tuesday New Release Day: d’Ambrosio; Erpenbeck; Pericoli; Dueñas; Boland; Brecht; Munro
“Working on some short stories but … not that into it”
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
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Who You Calling “Late,” Buddy?
Behold the launch of Bloom, a fabulous new website (founded by our own Sonya Chung) that pays attention to older writers who meet her definition of “Late Bloomers.” (In case you’re wondering, the site spun off from our own Post-40 Bloomers series).
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The Best Images of 2012
The winning images from this year’s National Geographic Photo Contest are worth your time.
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The Opposite of Bleak
In 1847, Charles Dickens founded a house for homeless women in the Shepherd’s Bush neighborhood of London. After setting up the center’s amenities, he publicized the house using leaflets and, upon hearing that London society was shocked that the center had a piano, spread a rumor that the center boasted a piano for every resident. At The Guardian, a look at a letter Dickens wrote to the matron of the house, to be sold at Christie’s in May. (h/t The Paris Review)
Go Get A Refund
Unhappy with Go Set A Watchman? You may be able to get your money back. Traverse City’s Brilliant Books is offering a refund to customers, as well as an apology for what they feel was a misleading marketing campaign.
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How Writers Read Vol. 2
I’ve written before about The Believer‘s “How Writers Read” series, and now the second installment, which includes questions about guilty reading and the constant debate between short and long books, is online.