This week, Richard Ford published his first novel in a while to feature Frank Bascombe, the protagonist of his Pulitzer-winning book The Sportswriter. At Salon, our own Lydia Kiesling posits a through-line from Bascombe to a certain TV gangster, arguing that The Sopranos shares its view of manhood with Ford’s novels. You could also read our own Michael Bourne on Ford’s 2012 book, Canada.
The Patriarch
Extreme Bookselling: Japanese Edition
Japanese booksellers are not content to handsell books these days. No, no. Instead, they’re drawing on architectural know-how and creative spirit in order to master “the avant-garde art of book stacking.” (Hopefully none of them experience the Mariko Aoki phenomenon.)
●
●
“Like church bells rung by wild sugar high children”
“Perhaps it’s a sign that our literary culture is not quite so ailing that Smith managed to make a space for NW, to clear a third path, one that meanders through Willesden, through time, and through the mind.” Our own Emily M. Keeler on realism and Zadie Smith.
The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
●
●
●
So wait, does this mean Martin Amis has read 50 Shades of Grey?
Thus spoke Martin Amis: “There’s a bit more song in women’s writing, there’s more real sincerity in women’s writing.” Also, apparently women are better at writing sex scenes.
●
●
Murakami on 1Q84
A blogger translates a long Murakami interview about 1Q84 (scroll down for parts I, II, and III). (via)
●
●