A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke’s latest for Bookforum, Lisa Locascio writes about the author’s own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
The Facebook IPO was this week's biggest story. The social media giant, which boasts 800 million members, is seeking a $75-$100 billion market valuation. But hold your horses, investors. A lot of that optimism could be empty hype. After all, look at the site's requested valuation as a percentage of its 2011 revenue, and compare it to other tech giants like Google and Microsoft. Also, contrary to Mark Zuckerberg's claim, most of the world does not, in fact, "have access to the internet or mobile phones."
"Writers are outsiders, and usually not by their own choosing. It's why they're writers. If they didn't feel alienated from human experience, they wouldn't feel so drawn to writing to make sense of their lives. It's not the outsider's facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page." Karen Karbo writes for Powell's Books's blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone's piece "Practical Art: On Teaching the Business of Creative Writing."
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.