What accounts for the incredible popularity of Chicken Soup for the Soul? The inspirational book series has continually sold well since the first volume was published in 1993. At Slate, Katy Waldman investigates its appeal.
Good News
Crossed Lines
In the latest issue of the LRB, Jenny Diski comes to the defense of Liz Jones, a Daily Mail columnist and spiritual sibling to the far-too-beautiful-to-live Samantha Brick. Her takeaway after reading a column that got Jones into hot water? Diski “couldn’t see” what the pilloried writer had done wrong.
The DeLillo Dogpile, Cont’d.
What’s with the DeLillo pile-on? we asked last week, semi-coherently. Open Letters Monthly provides an astute and meticulous answer in its monthly covering-the-coverage feature, “Peer Review.”
Philip Roth Disses Fiction
Philip Roth, one of America’s most distiguished and prolific novelists, tells the Financial Times that he no longer reads fiction. Why not? “I don’t know,” he says. “I wised up.”
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A Tale as Old as Time
“In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called “sharing economy” tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years.
Not that the circumstances are always ideal, as our own Jacob Lambert attests in his “Open Letter to the Person Who Wiped Boogers on My Library Book.”
Hopefully You Won’t Start Any Agglethorpes
Got any big social engagements coming up on your calendar? Want to make a splash? Well here’s just the thing: memorize a whole heap of the words assembled in Douglas Adams and John Lloyd’s The Meaning of Liff, which has been entirely digitized thanks to some kind souls. Then try to work them into as many conversations as you can. (h/t The Harlequin)
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This Is Not a Novel
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
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