What accounts for the incredible popularity of Chicken Soup for the Soul? The inspirational book series has continually sold well since the first volume was published in 1993. At Slate, Katy Waldman investigates its appeal.
Good News
Sonya Chung Reading at Long Island University
I'll be reading at Long Island University in Brooklyn on Monday, April 4th at 12 noon, with Gary Shteyngart. I have no idea what I'll be reading - possibly something new, or something very old.
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Possible Release of Mitch Hedberg’s Notebooks
Lynn Shawcroft is comedian Mitch Hedberg’s widow, and she curates MitchHedberg.net. In a series of tweets this week, Shawcroft alluded to the possibility that she’ll be releasing Hedberg’s notebooks in the near future, perhaps as part of a book. Of course some excerpts from Hedberg’s notebooks are already available online, such as this fantastic sketch which explains the trouble with mingling before a comedy set.
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Biblio-klepto-mania
"Symptoms included a frenzy for culling and hunting down first editions, rare copies, books of certain sizes or printed on specific paper." Lauren Young writes in Atlas Obscura about the phenomenon of bibliomania, "a dark pseudo-psychological illness" that afflicted upper-class victims in Europe and England during the 1800s. And for a first-hand account of more contemporary book theft, read John Brandon on his high school pastime: "The first time was nerve-racking, a rush, but by the third book I was already settling in."
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Philip Graham in Conversation
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
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You’re God Damn Right It Does
“Literature matters: Does reading make you smarter?”
Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”