“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
“As employers cut down on benefits and flexibility, more and more people, especially parents and those with chronic illnesses or disabilities, are getting squeezed out of ‘regular’ workplaces and into the freelance economy. What they find there is a whole new labor market that comes with a fresh set of obstacles—and some benefits, too.” On how companies and labor policy push women toward freelancing.
“I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn.” In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights’s Tim Riggins including “Tim Riggins Speaks of Waterfalls” and “Tim Riggins Invents a New Number.”
The University of Texas, Austin, is opening its acquired manuscripts of David Foster Wallace’s private papers, books, stories, and essays to the public. Previews of Wallace’s marked-up copies of books by DeLillo, Borges, and Updike are available on its website. (via New York Times)