New this week: 300,000,000 by Blake Butler; Quick Kills by Lynn Lurie; A Different Bed Every Time by Jac Jemc; Sister Golden Hair by Darcey Steinke; J by Howard Jacobson; Electric City by Elizabeth Rosner; The Goddess of Small Victories by Yannick Grannec; The Letters of Samuel Beckett; Volume 3; and Blue Horses by Mary Oliver. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Butler; Lurie; Jemc; Steinke; Jacobson; Rosner; Grannec; Beckett; Oliver
Hey, Hub Fans
Perhaps the best piece of baseball writing ever put to paper (duly praised here), John Updike's "Hub Fans Bid Kid Adieu" about Ted Williams is being released in a slim, stylish volume from Library of America this week.
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One Fish, Two Fish
"Everything on the surface of the world is so chaotic right now, so there’s a desire to access a place that’s more uncharted.” The New York Times profiles author Melissa Broder and her new novel, The Pisces (which was part of our Great 2018 Book Preview).
A New Path to Recognition for Self-Published Authors
Alison Flood highlights a few of the collectives scouring the glut of self-published books in search of gems.
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The New RIP
Is death “in” as a topic? It may seem like a ridiculous idea, but Lorraine Berry has evidence to back it up. She argues, using Benjamin Johncock’s The Last Pilot, among others, as proof, that mourning and grief are enjoying a bit of a renaissance.
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Tuesday New Release Day: Modiano; Krasznahorkai; Hua; Franklin; Gleick; Springsteen
Out this week: The Black Notebook by Patrick Modiano; The Last Wolf & Herman by László Krasznahorkai; Deceit and Other Possibilities by Vanessa Hua; Shirley Jackson by Ruth Franklin; Time Travel: A History by James Gleick; and Born to Run by Bruce Springsteen. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Engage, Don’t Just Talk
"Perhaps no part of the First Novel Experience is as confusing and overwhelming as figuring out how to balance the demands of social media with the demands of writing more fiction." Martha Woodroof talks with Lydia Netzer about social media in the world of publishing and book promotion. Their advice? "Try to be funny as much as you can. Try to participate in conversations, not just start your own. Try to engage, not just talk."
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This is the way the film ends
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?
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Nothing to Say
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.