The Toast announced their first vertical this week, and even better than its name (The Butter, of course) is its editor – Roxane Gay, darling of the literary internet and author of Bad Feminist and An Untamed State. In answer to the question “What will this particular vertical be like?” Toast editor Mallory Ortberg said “WHATEVER ROXANE WANTS IT TO BE,” so we have a lot to look forward to. Pair with The Millions’s review of An Untamed State and Gay’s 2013 “A Year in Reading.”
Last week, I wrote about the new Philip Marlowe novel by Benjamin Black, aka Year in Reading alum John Banville. Over the weekend, Banville published an essay in The Guardian about writing the iconic character, whom he describes as “one of the immortals.”
Sometimes, in a narrative, it’s necessary to focus on one scene, in one place, for as long as one possibly can. In his new graphic novel, Here, Richard McGuire takes this to an extreme, setting the entirety of the story in one corner of a character’s living room. In the Times, Dwight Garner reviews the new book.
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.
John Cage–renowned composer, music theorist, writer, artist, and Zen enthusiast–is a a veritable treasure trove of Curiosities. Here’s a video from 1973 of Cage performing his most famous piece, 4’33”, in Harvard Square. It’s hard for even the man himself to top the genius of this inspired performance, however.
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”