“An ideal essay is hard to define, but easy to point to. An ideal essay mines the “I” in efforts of high exposition. It is driven by a need to testify or witness, and demands the same of its reader. It is a glimpse of something uncomfortably recognizable, a requiem for the quotidian, a look over the newly-gilded edge.” Samantha Tucker Iacovetto writes about “Defining the Ideal Essay” for Brevity’s Nonfiction Blog
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.
The latest entity to get sucked into the Jerry Sandusky pedophile scandal that’s engulfed Penn State? Amazon. Users are leaving angry comments on the site’s comment boards about Touched: The Jerry Sandusky Story, Sandusky’s unfortunately titled 2001 biography.
Eileen Myles, the poet and self-described “loudmouthed lesbian (which means mainstream invisible)” has given One Grand Books a list of her ten favorite books from the Djuna Barnes classic Nightwood to John Wieners’s Supplication: Selected Poems. Here’s a complementary Millions essay on Eileen Myles and the fugitive form.
Cheryl Strayed’s Wild is probably the best-known recent example of a memoir that centers on a journey through a harsh landscape. There’s another one that deserves your attention, too — Kathleen Winter’s Boundless, which tells the tale of the writer’s voyage through the icebound Northwest Passage. At The Guardian, a review of the memoir.