In Meg Wolitzer’s new YA novel Belzhar, a group of teenagers packed off to an idyllic boarding school learn that they have the ability to undo their most serious traumas. Their discovery is sparked by a writing assignment in a class on Sylvia Plath. At Slate, Jennifer Ray Morell connects Wolitzer’s novel to Plath’s classic The Bell Jar. Related: our own Hannah Gersen’s interview with biographer Elizabeth Winder.
Teen Angst
“while the pages of Romeo and Juliet have been nearly worn to shreds, King John has been left virtually intact.”
Oxford University’s Bodleian Library is working to make the first edition of Shakespeare’s collected works, published in 1623 and carrying the physical wear and tear of 17th century readers, online for free.
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Little Black Book of Fiction
Good news for people who like good things: The Missouri Review has unveiled a Little Black Book of Fiction app. The 99¢ app is a collection of 11 stories from the likes of William Gay (a Post-40 Bloomer), Robert Olen Butler and Nanci Kincaid – and each story comes with its own audio introduction, author information, and opening photograph.
Moco Loco
On the new food-writing website Toque, Elina Shatkin takes chefs Jon Shook and Vinny Dotolo (owners of Animal, the wonderful L.A. restaurant exalting all things meaty) to try moco loco.
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The Man and His Image
Recommended Reading: Can we separate Knausgaard the writer from Knausgaard the narrator?
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Finnegans What, Now?
I hope you had your Wheaties this morning, because this one is a doozy. Scientists at Poland’s Institute of Nuclear Physics have discovered complex “fractal” sentence patterning in classic works of literature that is nearly identical to “ideal” mathematics. Maybe Finnegans Wake does make sense, after all.
Not Ideal
“The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present.” In which an imagined David Brooks writes a sestina about misogyny. Here’s a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.
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