Among the better tidbits from Gary Shteyngart’s diary of his book tour for Little Failure is the fact that he’s apparently had fellow Russian immigrants ask him to sign books for “a failed paralegal” and “a worse failure than even you.” If, after reading that, you’d like another dose of Shteyngart, you could do worse than his Year in Reading entry.
Surely you’ve heard the hype by now. Surely you’ve seen someone blushing and shifting their eyes askance while reading this book in public. Well, now you can get a taste of what the fuss is all about. You can read the beginning of Alissa Nutting’s Tampa courtesy of Dzanc Books and The Collagist.
Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
Kirkus Reviews has announced the winners of this year’s Kirkus Prize, bestowed annually to authors of fiction, nonfiction and young readers’ literature. The 2015 winners are Hanya Yanagihara (for her A Little Life, who we interviewed), Ta-Nehisi Coates (for Between the World and Me, which we published an essay about), and Pam Muñoz Ryan (for Echo).
For better or worse, the publication date of Umberto Eco’s final book has been bumped up — originally set for a summertime release, Pepe Satàn Aleppe: Chronicles of a Liquid Society is now due out in Italian this weekend. Check out this Eco essay on how to travel with a salmon.
It’s an age-old question for writers and thinkers: how do you quiet the noise of your thoughts? In Aeon Magazine, Tim Parks wonders if it’s even possible to silence internal monologues — and, if it is, whether that silence means losing sight of our identities. (Related: our own Mark O’Connell reviewed Parks’s latest book.)
Stony Road Press has teamed up with the James Joyce Centre to release a limited edition handmade book, “reproducing the original 1914 text” of “The Dead,” and featuring really interesting hand printed illustrations by Robert Berry. Check out some examples here, here, and here.