In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov‘s Speak, Memory and considers “the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order.” Pair with our own Garth Risk Hallberg‘s piece on reading Ada, or Ardor.
Some of the best novels out there — Huckleberry Finn, Of Mice and Men — deal largely with fictional friendships. Yet depictions of close friends that are central to the plot are considerably rare in modern novels. At The Guardian, AD Miller notes this isn’t the case for movies and TV shows, and suggests a number of reasons why. You could also read our own Kevin Hartnett on friendship in the age of Facebook.
Ahead of the release of Imperial Bedrooms, Vice has an interview with Bret Easton Ellis. “All my friends moved to Brooklyn. The only people I know in Manhattan are rich, and it just seems like, you know, the party was fun, but it’s kind of over for me. LA seemed to be the place to land.”
Recommended Reading: Mary Addison Hackett reflects on heroin and harm reduction at n+1. “It is clear that no one — no neuroscientist, psychologist, psychiatrist, or physician — can explain what addiction is or account for its contradictions. Tobacco, cocaine, heroin, alcohol, MDMA, amphetamines — are they inherently addictive? Common knowledge suggests they are. But all around me I see exceptions more than the rule, my friends who use, have used, some or all of these drugs, including heroin, casually. I, too, am one of the exceptions.”
Whether or not you’ve read Grace Paley, you’re likely to appreciate this George Saunders essay about her, which justifies his contention that she’s “one of the great writers of voice of the last century.” You could also read our own Garth Risk Hallberg’s tribute to Paley upon her death.
Recommended Reading: This Atlantic article on the life of Henning Mankell, author of the Kurt Wallander series. The author said, “When I write, I always try to reflect the reality we live in, a reality that is becoming rougher and more violent. This violence and its impact on people around it is what I try to reflect in Wallander. But reality always surpasses the poem.”