Heading to London in the near future? Stop by the British Library’s new Terror and Wonder, which bills itself as the UK’s biggest Gothic exhibition in history. To whet your appetite, you can read this Guardian piece by Neil Gaiman, in which the Sandman author names Mary Shelley’s Frankenstein the apex of Gothic fiction. Related: our own Hannah Gersen on Frankenstein and the “Year Without a Summer.”
Dark Imaginings
Summer Knowledge
Recommended Reading: John Ashbery on just about anything. Specifically, though, this piece on Delmore Schwartz and the pain of poetry is as good a place as any to get familiarized with both writers.
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Galileo’s Taste; Galileo’s Work; Galileo’s Life
Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
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Kazuo Ishiguro To Publish First Novel in Ten Years
Next March, Kazuo Ishiguro will publish his first novel since Never Let Me Go. The new book, entitled The Buried Giant, is said to be about “lost memories, love, revenge and war.”
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Submit to ‘It’s Lit’
Thrill Ride
Stephen King’s next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it’s about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling’s essay on her love of King novels.
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Illuminated Waterfalls
Recommended Viewing: Sean Lenz and Kristoffer Abildgaard’s long exposure photography series, “Neon Luminance.”
On Translating Robert Walser
The Quarterly Conversation interviews Susan Bernofsky, gifted translator of Robert Walser (whose Microscripts are due out this month.)
Pictorial Gateways
What is the best approach for creating a book cover? Over at Capatult, Tanwi Nandini Islam considers the best book cover for her debut novel, Bright Lines. Also check out this comparison of U.S. and U.K. book covers.
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