“It’s a critical dilemma in my reading and writing but also a real-life dilemma in a family like mine, with Alzheimer’s in our genes: How do you locate the personhood in someone who is, for neurobiological reasons, no longer the person you knew? Is there a way to be true to medical fact and still find something that is transcendently human?” Stefan Merrill Block writes about the literature of Alzheimer’s and Matthew Thomas‘s We Are Not Ourselves, which Lisa Peet reviewed for The Millions.
A couple more highly anticipated fall books now have cover art. J.K. Rowling’s post-Harry Potter effort The Casual Vacancy features a simple, bold design. And the cover of Ian McEwan’s Sweet Tooth is a throwback to the design motifs of several decades ago.
Christopher Higgs was teaching Grace Krilanovich’s The Orange Eats Creeps, and one of his students was inspired to make a mixtape featuring “the twisted, crusty, and often sublime characters found within the novel.” (The book, by the way, was one of my selections for Year in Reading last year.)
In the latest entry in By Heart, which I’ve written about before, Thirty Girls author Susan Minot explains why she prefers to read multiple books at once instead of reading through single books from start to finish. Her reasoning? Books are “worlds to dip in and out of, and my relationship to them is continually deepening and evolving.”