Over the course of a half-century, Vladimir Nabokov wrote hundreds of letters to his wife Vera, which are being published in book form this week for the first time. Among other things, they reveal the absurd pet names he invented for her (such as Goosykins and Monkeykins) and display Nabokov musing over whether or not to borrow a friend’s castle for the summer. Also worth reading: our own Garth Risk Hallberg on Nabokov’s Ada, or Ardor.
“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
"No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?" Vanity Fair has big questions and lots of opinions about Donna Tartt's latest novel, which we've covered pretty extensively ourselves.
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.