Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Maya Angelou is a rapper now. The late writer’s poems have been layered with hip-hop beats for a new album, Caged Bird Songs. The album uses previous recordings of Angelou and a few made last year. “She saw (hip-hop) as this generation’s way of speaking and conveying a message,” her grandson Colin A. Johnson said. Pair with: Our tribute to Angelou.
Attention! The finalists for the 2016 Oddest Book Title of the Year award have been announced — my personal favorite has to be Reading From Behind: A Cultural History of the Anus. Pair with the ever exciting Bad Sex in Fiction award and you’ve got yourself your own little literary Oscars party.
Book to movie news: Soon to hit theaters is a big-screen take on Allen Ginsburg’s Howl, focusing on the obscenity trial Ginsberg faced after the publication of the poem and starring James Franco as Ginsberg (alongside Jon Hamm and Jeff Daniels). (The trailer). The film includes an animation of the poem itself by illustrator Eric Drooker. Art from the animation has been collected in a new book under the title Howl: A Graphic Novel.
Pankaj Mishra caught up with Orhan Pamuk in the midst of Turkey’s Gezi Park turmoil, and though the Nobel laureate was at first “reluctant to speak of the protests,” he occasionally let down his guard. In those instances, writes Mishra, Pamuk “revealed a shrewd political mind and a confidence about the new social consciousness the demonstrators represent.”