Girls creator Lena Dunham’s first book is on shelves, as is the new short story collection by Man Booker laureate and recent Millions interviewee Hilary Mantel. Also out: On Immunity by Eula Biss; A Sudden Light by Garth Stein; Consumed by the filmmaker David Cronenberg; The Ploughmen by Kim Zupan; and The Zone of Interest by Martin Amis. For more on these and other titles, check out our Great 2014 Book Preview.
Tuesday New Release Day: Dunham; Mantel; Biss; Stein; Cronenberg; Zupan; Amis
Wes Being Wes
From the looks of the promotional poster and the theatrical trailer, Wes Anderson may have “out-Wes Anderson’d” himself with his new film, The Grand Budapest Hotel.
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Writing Is a Dangerous Pursuit
“We might not win. And yet we have to commit ourselves to the struggle, because there’s nothing else besides struggle.” Toni Morrison talks about literature and activism with Ta-Nehisi Coates and Sonia Sanchez.
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The Forgotten Forty
In a sea of Best Book lists, LitHub spoke to 40 booksellers about the most overlooked titles of 2017. On the list? Emil Ferris’s My Favorite Thing Is Monsters, which was featured in Emily St. John Mandel‘s Year in Reading.
Baby It’s Warm Outside
“It turned out that the most successful Christmas records tended to have two common qualities: catchy, upbeat melodies and imagined unlikely scenarios for anthropomorphized yuletide characters.” Move over, Frosty! It’s beginning to look a lot like … an unseasonably warm December. Here is a brief history of Christmas songs and of their often-surprising rise from corny kitsch to global sensation.
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“Carefully Arranged Derangement”
“Literature offers a way of framing, or reckoning with, the chaos of a universe we can never truly know.” The LA Times interviewed Denis Johnson about his new novel The Laughing Monsters, an excerpt of which can be read online here.
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Castellanos Moya on the Bolaño Bubble, Part Two
Horacio Castellanos Moya, the author of Senselessness [review], again tackles the commodification of Roberto Bolaño, this time in a lengthy piece in Guernica. “It’s the landlords of the market,” he writes, “who decide the mambo that you dance.”
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