New this week: Stone Mattress: Nine Tales by Margaret Atwood; The Paying Guests by Sarah Waters; My Life as a Foreign Country by Brian Turner; Wallflowers by Eliza Robertson; On Bittersweet Place by Ronna Wineberg; Love Me Back by Merritt Tierce; In the Red by Elena Mauli Shapiro; and Wolf in White Van by John Darnielle of The Mountain Goats. For more on these and other new titles, go read our Great Second-half 2014 Book Preview.
In his inaugural column for The New York Times Magazine, former New York Magazine critic Sam Anderson expands upon the idea he shared with us in his “Year in Marginalia,” his riff on our big Year in Reading series. And, as a sidebar to Anderson’s column, the Magazine has published a brief excerpt of John Brandon’s compelling essay from The Late American Novel: Writers on the Future of Books (perhaps you’ve heard that title mentioned around here lately?)
Are you a woman of color writer in need of the time and space provided by a writing retreat, ideally in October? Then you’re in luck, applications for the Jack Jones Literary Arts retreat have just opened! New York Times Magazine writer Jenna Wortham is this year’s Writer-in-Residence. Applications are due April 1st and there is a $35 application fee. But if you hurry you might be able to get your application fee waived thanks to generous donors. We urge you to apply now and wish you the best of luck!
Over on The Busy Signal, Matthew Hunte presents 75 Notes For An Unwritten Essay on Literary Prizes. (22. “Want it? Want it? Of course I wanted it. I wanted it so fucking bad I could taste it!”)
In the early ‘70s, Kurt Vonnegut helped produce a TV adaptation of his work, Between Time and Timbuktu, that aired on the public TV program NET Playhouse. The adaptation brought together elements from several of the author’s most famous works, including Sirens of Titan, Cat’s Cradle and “Harrison Bergeron.” At Black Balloon Publishing’s blog, you can find YouTube clips and links to the printed script. (Related: our own Lydia Kiesling read Vonnegut’s Letters.) (h/t The Rumpus)