New this week: Stone Mattress: Nine Tales by Margaret Atwood; The Paying Guests by Sarah Waters; My Life as a Foreign Country by Brian Turner; Wallflowers by Eliza Robertson; On Bittersweet Place by Ronna Wineberg; Love Me Back by Merritt Tierce; In the Red by Elena Mauli Shapiro; and Wolf in White Van by John Darnielle of The Mountain Goats. For more on these and other new titles, go read our Great Second-half 2014 Book Preview.
Recommended Reading: Bailey Lewis’s short story at Paper Darts “When the South Wind Blows Glass Shatters and Disappears Like Rain.” “A young girl’s body hurtles through a stationery store window at top speed.”
Eric Harvey presents The Social History of the MP3 at Pitchfork: “So omnipresent have these discussions become, in fact, that it’s possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself.”
A new anthology out from Da Capo Press, Bound to Last: 30 Writers on Their Most Cherished Book, includes an essay by David Foster Wallace’s widow, Karen Green, on how books helped her cope with his death: “I’ll try not to use the word survive. I think I’ve determined, by trial and error, that certain underlined, highlighted, and dog-eared books, in conjunction with pharmaceuticals, are beneficial after a trauma. What was it the realtor called it? ‘The Incident.’ Books can be helpful after an Incident.” (Thanks, Diavanna)
Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
In one of the most delightful photography projects of late, authors have dressed up as their favorite children’s book characters for Cambridge Jones’s 26 Characters exhibition at The Story Museum. Neil Gaiman looks particularly dashing as Badger from The Wind in the Willows. The exhibition will run from April 5 to November 2 in Oxford, U.K.
“Nathan Englander’s characters have invented ‘the Anne Frank game’ whose major question is ‘who would hide you if there were another Holocaust.’ By making this a game, the characters demonstrate their affective distance from the event, but at the same time Englander illustrates that the Holocaust remains a touchstone for the marijuana-smoking, Orthodox Jews who bring the game to their secular Jewish friends.” On the fictional afterlife of Anne Frank.
“Where is the black version of Caddie Woodlawn (a 19th-century Wisconsin tomboy) or Harriet the Spy (a 20th-century Upper East Sider), smart, spunky, fictional heroines for the tween crowd?” Victoria Bond and T.R. Simon fictionalize beloved Harlem Renaissance writer Zora Neale Hurston as a girl detective in Zora and Me.