A couple weeks ago, Brian Ted Jones reviewed The Bone Clocks by David Mitchell, which “takes place on the margins of a grand, cosmic struggle.” Not long afterwards, at The Rumpus, Woody Brown offered a somewhat negative take on the book, arguing that Mitchell makes it too difficult for the reader to suspend her disbelief. You could also read Brown’s Millions review of Haruki Murakami’s new novel.
Too Much to Process
Mind Games
“I suspect ‘chess rage’ and ‘road rage’ are neighboring neural impulses.” Tom Russell at Guernica Magazine has written a fascinating essay on a summer spent playing chess in Bryant Park and the unexpected artistic beauty of the game. Here’s a cursorily-related review of The Chess Machine, a book which features an unbeatable chess-playing automaton controlled by a dwarf.
●
●
“Life is a cutup.”
Graying Beats, Allen Ginsberg and William S. Burroughs, discuss the cut-up technique and shamanism during a never before published 1992 interview in the latest issue of Sensitive Skin Magazine. David L. Ulin provides commentary on the conversation.
●
●
A Suitable Adaptation
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth's A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth's epic as "a spectacularly romantic novel, weddings all over," but noted sadly that "it portends falling in love with the man you can marry, in lieu of the one that you can’t."
The James Salter Diet
James Salter’s women are “described over and over again as meals for the male protagonists to enjoy and then leave behind in various western European countries,” Lidia Jean Kott argues. Read Sonya Chung’s take in our review of All That Is.
TED is Dead
It's fashionable to hate on TED all of a sudden. In the span of a month, we've got this piece by Nathan Jurgenson in The New Inquiry, this one by Benjamin Wallace in New York Magazine, and this one by Megan Garber in The Atlantic.
New Directions in The Coffin
The Coffin Factory, a "magazine for people who love books," interviews New Directions' Barbara Epler and Tom Roberge about "publishing and finding bold, new experiments in literature from around the world." (via)
●
●