A couple weeks ago, Brian Ted Jones reviewed The Bone Clocks by David Mitchell, which “takes place on the margins of a grand, cosmic struggle.” Not long afterwards, at The Rumpus, Woody Brown offered a somewhat negative take on the book, arguing that Mitchell makes it too difficult for the reader to suspend her disbelief. You could also read Brown’s Millions review of Haruki Murakami’s new novel.
Landays are traditional two-line folk poems, and they are particularly popular among Afghan women these days. Recently Poetry magazine dedicated an issue to the short verses, and Dowser has a behind-the-scenes look at how the issue was put together. Previously, New York Times Magazine caught up with some members of Mirman Baheerm, a women’s literary society based in Kabul.
David Fincher, who helmed the American cinematic adaptation of The Girl with the Dragon Tattoo, may join the team working on the film for Gillian Flynn’s Gone Girl. Flynn herself penned the first draft of the screenplay. As you wait (im)patiently for the project to get underway, you can take our own Michael Bourne’s advice and treat yourself to Flynn’s earlier books.
Ratik Asokan reviews Revulsion: Thomas Bernhard in San Salvador by Horacio Castellanos Moya, a story about dealing with the violence that permeates El Salvador’s culture. “Fiction, unlike journalism, has allowed Moya to express the frustration and existential terror of living in a society thoroughly permeated by violence.” Pair with our reviews of Moya’s Tyrant Memory and The Dream of My Return.