How many writers actually know how a word processor functions? Chances are the answer is: not many. At Page-Turner, our own Mark O’Connell examines this odd state of affairs, which he became more cognizant of after reading Vikram Chandra’s new book, Geek Sublime.
Thoroughly Modern Dilemmas
Convention for the Bookish
Miss this year's AWP? The New Yorker has published a brief write-up of the conference, just to make you jealous.
Baking with Nietzsche
No need to bake sugar cookies this holiday season. Try Nietzsche's angel food cake recipe instead. "Allow the angel to reach room temperature. Then kill it," Rebecca Coffey writes the recipe for McSweeney's. You can find more literary cooking tips in Coffey's Nietzsche's Angel Food Cake: And Other Recipes for the Intellectually Famished.
Every Word of The Great Gatsby…On Stage
In this week's New Yorker, Rebecca Mead writes about the 8-hour staging of the full text of The Great Gatsby - "Gatz" - at the Public Theater. She and actor Scott Shepherd discuss it on a podcast.
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Antebellum YA
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. "The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life."
A Master’s In Self-Publishing?
Because its administrators believe “self-publishing is now a highly successful and respected business model for both new and established authors,” The University of Central Lancashire has created a Self-Publishing Masters program. (Clearly they didn’t read Edan Lepucki’s Millions article from 2011.) According to the program’s official website, “this dynamic course … reveals how to make self-publishing work for you.”
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Seems About Right
"Post-truth" has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert's "truthiness" was funny.
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Civilization of the Spectacle
"If culture is purely entertainment, nothing is of importance. If it's a matter of amusement, an impostor can undoubtedly amuse me more than a profoundly authentic person. But if culture signifies more than this, then it's worrying." Sociologist Gilles Lipovetsky interviews the Nobel Prize-winning novelist Mario Vargas Llosa about the contemporary collapse between "high" and "low" cultures.
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