What happens when you grow up reading Harry Potter, Twilight, and Fifty Shades of Grey? At The Morning News, five women discuss what it meant to come of age reading these books. “It’s more socially acceptable for a guy to watch porn than it is for a twentysomething woman to read these books. There is something that bothers me about that,” one women said.
Fifty years ago, Frank O’Hara released Lunch Poems, a collection of remarkably informal poetry that rebuked the more academic verse of his day. As a tribute, Dwight Garner writes about the importance of the book in the Times, arguing that O’Hara’s grasp of the zeitgeist is the reason he appeared on Mad Men. For more on the poet’s legacy, take a look at Christopher Richards on O’Hara’s lessons for being gay.
“These sorts of connections are at the centre of nearly all time machine fiction. These novels usually draw attention to telling commonalities across historical eras, or between the past and the present. That gives an engaging puzzle quality to the books—we read seeking out the dropped clues that will shed light on the purpose of the parallel.” On fiction in which the plot takes place over multiple timelines.
In The Nation, Mark Oppenheimer reviews Janet Malcolm’s Forty-one False Starts, which includes the New Yorker staff writer’s early works of criticism. The problem, he writes, with her and most Western critics? “She is a snob, but wishes she weren’t.” (ICYMI: we published a review a few weeks ago.)
Need some inspiration? These quotes from Joan Didion are sure to make your day. Picked by noted Ayn Rand scholar Mallory Ortberg, they include such gems as “I’m from Sacramento, but it’s honestly not a big deal” and “California doesn’t remind me of the apocalypse at all.”