You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.
O Detroit
“This is my college education.”
Eccentric celebrity chef José Andrés (who should be familiar to fans of No Reservations) has an enviable library of cookbooks and volumes of food history. He even owns a notepad of Honoré Julien’s (Chef for both George Washington and Thomas Jefferson) which allegedly proves the Frenchman introduced French fries to America.
Getting Out with a Minimum of Hassle
Calling all stir-crazy New Yorkers! If you want to move to a smaller, less competitive locale, consult this handy-dandy guide to other cities at The Morning News.
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Gently Simmer
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The Bard 2.0
To celebrate the 400th anniversary of William Shakespeare’s death in 2016, he’s getting a makeover. Jeanette Winterson is writing a cover of The Winter’s Tale, and Anne Tyler will be revamping The Taming of the Shrew for a 21st century audience. While you wait, watch Joss Whedon’s update of Much Ado About Nothing.
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Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
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Third Annual Asian American Literary Festival
The Asian American Writers’ Workshop is holding the third annual Page Turner: Asian American Literary Festival tomorrow, October 29th in Brooklyn. There you’ll find: Junot Díaz, Amitava Kumar, Min Jin Lee, Jayne Anne Phillips, Granta editor John Freeman, two stand-up comedians, five NBA finalists, seven Guggenheim Fellows, and a Korean taco truck.
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at once impressionistic and profound
Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
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