Roald Dahl’s estate has released a 1961 draft chapter of Charlie and the Chocolate Factory. The draft reveals a number of little-known characters the author later excised from the book. It also reveals that, at one point, the story featured as many as 10 golden tickets. The Guardian has the draft chapter in full.
We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard's review of McEwan's Sweet Tooth. And of course there's Atonement, which comes up in a variety of Millions articles, from Michael David Lukas's essay on the polyphonic novel to Seth Sawyer's recent piece on food and reading.
I can't recommend John Jeremiah Sullivan's 7,000-word article on The Pale King highly enough - not because he gets everything right, but because it's what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
We're pleased as punch to introduce Millions readers to our new interns, Carolyn Quimby and Ariana Valderrama. Arianna is originally from Chicago but is currently based in Washington, D.C. where she works in communications. In high school she started a book blog, Reading in Color, where she reviewed over 200 middle grade and young adult books about people of color. On her nightstand right now: Locking Up Our Own: Crime and Punishment in Black America by James Forman Jr. and White Teeth by Zadie Smith. Carolyn works in academic publishing by day and is a freelance writer and book reviewer by night. Sometimes she dreams about going on a road trip solely dedicated to visiting bookstores, but mostly she tweets at @CarolynQuimby. Currently on her nightstand: Goodbye Vitamin by Rachel Khong and Little Fires Everywhere by Celeste Ng. We couldn't be happier to have Carolyn and Ariana on board!
Some reviews of Dave Eggers's new novel, Hologram for the King, are starting to appear: Carolyn Kellogg writes that the story is accessibly though "elegantly told," and Michiko Kakutani describes the prose as almost surprisingly "pared down" and "Hemingwayesque."
Did David Foster Wallace predict our anxiety over selfies? At The Wire, Danielle Wiener-Bronner argues that Wallace was prescient in Infinite Jest. Although videophony, his concept of video-chatting, isn't the same thing as a selfie, the paranoia over looking good is strikingly current. "This sort of appearance check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen."