Roald Dahl’s estate has released a 1961 draft chapter of Charlie and the Chocolate Factory. The draft reveals a number of little-known characters the author later excised from the book. It also reveals that, at one point, the story featured as many as 10 golden tickets. The Guardian has the draft chapter in full.
Full Stop will be celebrating five years in January as an online literary journal. To commemorate the anniversary, they’re publishing their first-ever book, collecting the very best writing from their website and featuring blurbs by anyone who makes a donation to the magazine. Pair with this Millions piece on the art of blurb writing.
“A vast human action is going on. Death watches. So if you have some happiness, conceal it. And when your heart is full, keep your mouth shut also.” Saul Bellow saw a bit of resurgence this year with the publication of his collected non-fiction, There Is Simply Too Much to Say. Why do we need him now more than ever? According to Michael Weiss at The Daily Beast, it’s because he has “a bit of the opposition in him.” This essay is exhaustive and thoroughly researched and well worth your time.
With Naipaul and Theroux making nice, the Times asks Christopher Hitchens what makes for a good literary feud these days: “A really first-rate bust-up must transcend the limits of ‘an entertaining side show’ and involve playing for high moral and intellectual stakes”
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.