We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard‘s review of McEwan’s Sweet Tooth. And of course there’s Atonement, which comes up in a variety of Millions articles, from Michael David Lukas‘s essay on the polyphonic novel to Seth Sawyer‘s recent piece on food and reading.
For over twenty years, from the thirties through the fifties, a group of Oxford writers who called themselves The Inklings met weekly to drink, exchange ideas and read aloud their drafts. Though J.R.R. Tolkien and C.S. Lewis were easily their most famous members, the group had other notable figures, among them the language historian Arthur Owen Barfield. In The Chronicle of Higher Education, a history of the group.
You should check out George Saunders’s “Liner Notes” piece about “2776: A Musical Journey Through America’s Past, Present & Future,” which is set to accompany a forthcoming musical-comedy album from Patton Oswalt, Aubrey Plaza, Ira Glass, and Yo La Tengo, among others. If that hasn’t sold you, consider the fact that Saunders’s piece contains this line: “Truth be told, there were a number of regrettable omissions. Beyoncé and Jay Z’s piece ‘Bomber’ had to be left off the album. (‘Driver of this plane, this / B-52 on the way to Nagasaki / Stuff your ears with cotton and / Close those eyes / Me and my man are about to do it all over this / Here bomb’).”
“The author, whose novels thrum with ironic recurrences, might have been perversely pleased with this: thirty-six years after his death and twenty-two years after the fall of the Soviet Union with all its khudsovets, Vladimir Nabokov is, once again, controversial.”