We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard‘s review of McEwan’s Sweet Tooth. And of course there’s Atonement, which comes up in a variety of Millions articles, from Michael David Lukas‘s essay on the polyphonic novel to Seth Sawyer‘s recent piece on food and reading.
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
“At first I had three [children], because I think we need to be outnumbered. It’s good for them. That was my plan when I had three children.” Sit down with Karl Ove Knausgaard as he drives his daughter home. Jonathan Callahan reflects on how Knausgaard’s writing consumes him.
At McSweeney’s Internet Tendency, a disgruntled Laura Jayne Martin rants about why she is tired of sharing an apartment with poet William Carlos Williams.
“As phenomenological philosophy has determined, self-consciousness is not a mental state that is added on to our experience, or that is particular; rather, it is a feature inherent in all experience. My perception contains me.” Send your Sunday into an existential tailspin with German psychologist Marc Wittmann and his heady ideas about the notion of time and consciousness.
How do you celebrate Pride and Prejudice‘s 200th birthday? By building a 12-foot tall statue of Colin Firth’s Mr. Darcy in his wet shirt. The fiberglass statue is temporarily installed in Hyde Park but will tour the U.K. before settling in Lyme Park, Cheshire, where the famous scene was filmed.