Starting this year, Kirkus Reviews will award the impressive sum of $50,000 each to three winners of their new Kirkus Prize, which recognizes works of fiction, nonfiction and children’s literature. This morning, they announced their first-ever batch of finalists, a long list including a few names who should be familiar to Millions readers: Elizabeth Kolbert (for The Sixth Extinction, which we published an essay about); Year in Reading alum Sarah Waters (for The Paying Guests); Thomas Piketty (for Capital in the 21st Century); New Yorker cartoonist Roz Chast (for her memoir); and Siri Hustvedt (for The Blazing World, which we reviewed). Their judges will announce the winners on October 23rd.
Dzanc Books began the submissions period for its 2013-2014 Non-Fiction Award. The indie press is looking for memoir, political, historical, and biographical manuscripts. Millions contributor Nathan Deuel – whose book Friday Was the Bomb will be published by Dzanc in May — will select a winner from among a list of ten finalists, and the top manuscript will be published in the Fall of 2015. The deadline to enter is June 30, 2014.
“Complacencies of the peignoir, and late / Coffee and oranges in a sunny chair, / And the green freedom of a cockatoo / Upon a rug mingle to dissipate / The holy hush of ancient sacrifice. / She dreams a little, and she feels the dark / Encroachment of that old catastrophe, / As a calm darkens among water-lights.” Wallace Stevens’s “Sunday Morning” is the perfect poem to kick off the day of rest. Here’s a a brief profile from The New Yorker on Stevens’ life and art.
“Everyone who’s been reading the manuscript is in tears by the second chapter.” Tracy Martin and Sybrina Fulton, parents of Trayvon Martin, have signed a deal to publish a book titled Rest in Power: The Enduring Life of Trayvon Martin; its release is scheduled for January 31, 2017. Might we also recommend Ismail Muhammad‘s piece from earlier this week on Frank Ocean, “looking again,” and the black male body – you’ll feel more whole for having read it.
“Imaginary Oklahoma” writes Oklahoman writer James McGirk, “is an anthology of forty-six writers’ attempts to envision Oklahoma without ever having visited America’s forty-sixth state.” You can get a taste for the pieces over at The Paris Review, or you can check out the book trailer and attempt to envision The Paris Review‘s write-up without actually reading it.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
Leslie Jamison’s new essay collection is getting lots of plaudits, not least here at The Millions, where Ryan Teitman argued that Jamison manages to “meet her subjects in utter intimacy.” At the Tin House blog, Stephen Sparks interviews Jamison, who talks about the book, her “shame-seeking superpower” and her epigraph-cum-tattoo.