Recommended Reading: Three poems by Dalton Day at Hobart. “In the end, there are five bear cubs underneath your porch. You name them after U.S. Presidents. Taft dies of starvation.”
What inspired Samuel Clemens to change his name to Mark Twain? Was it a Mississippi riverboat captain? Did he earn it by “drinking at a one-bit saloon in Virginia City, Nevada?” Or, as rare book dealer Kevin Mac Donnell now alleges in the new issue of Mark Twain Journal, did the author find his pseudonym in a popular humor journal?
Our own Garth Risk Hallberg’s City on Fire is almost here. While we wait, read Boris Kachka’s profile of Hallberg for Vulture, about the expectation surrounding his highly anticipated 944-page debut novel and the experience of writing a book that is “unpublishably long.” We’ll be publishing our own illuminating interview with Hallberg on Monday.
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.