What do you think gets fact-checked the most rigorously: newspaper articles, magazine stories, or books? If you guessed books, you’d be surprised to know that they are rarely, if ever, fact-checked. At The Atlantic, Kate Newman questions why we have so much faith in books’ accuracy but why publishers don’t bother.
“Ms. Hazzard’s fiction is dense with meaning, subtle in implication and tense in plot, often with disaster looming: A shipwreck tears away the parents of tiny children. A man who has waited a lifetime for a woman loses her at the last moment.” Novelist Shirley Hazzard, whose several books – including The Transit of Venus and the National Book Award-winning The Great Fire – received much acclaim, has died at 85, reports The New York Times. Also worth reading, her “Art of Fiction” interview with The Paris Review from 2005.
Is that a severed prostitute’s nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director’s theater), a theory of opera direction that holds the director’s take on an opera to be as (0r more) important than the artist’s text.
Back in April, our own Sonya Chung linked to an excerpt on Bloom of Viet Thanh Nguyen’s The Sympathizer, then featured on the cover of the Sunday Times Book Review. At Bookforum, Lisa Locascio reads the book, drawing comparisons to Chang-rae Lee’s Native Speaker and Hari Kunzru’s The Impressionist.
In 1992, William Gibson published Agrippa, a poem coded on a floppy disk such that after one reading it would destroy itself forever. Quinn DuPont, a PhD student studying cryptography, built an emulation of the self-destructing poem and has a challenge to cyberpunks and cryptographers: be the first person to crack the poem’s code and win a copy of every one of Gibson’s books ever published.
The great singer-songwriter Josh Ritter is on tour with Scott Hutchison of Frightened Rabbit. In honor of that, here’s puppet master Liam Hurley‘s video for Josh Ritter’s beautiful ballad “The Curse,” a song about a mummy falling in love with the archeologist who discovers him.