“If you would write, try to be terse and in some measure original—the world abounds with new similes and metaphors… If you cannot tell people of something they have not seen, or have not thought, it is hardly worthwhile to write at all.” The Paris Review shares writing advice from a 21-year-old D.H. Lawrence .
Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”
A writer in her own right, Sybille Lacan reflects on her experience as the daughter of famous psychoanalyst Jacques Lacan. She writes, “Father, for our birthdays, would give us superb gifts (I believe it took me far too long to understand it was not he who had picked them out).”
“My mind flashed that disembodied jaw at me in a jaw’s version of full color; a dirty white that bone and snow agree on.” This piece of original short fiction from Kashana Cauley at The Daily Beast will make you never want to set foot in a Hermés store–or even just shop on Black Friday.
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
The theatrical trailer for the film adaptation of 50 Shades of Grey was released this week. If you’re keeping track, that means we’ve now got a film based on fan fiction written about another film adapted from a schlocky romance novel involving vampires. (Come at me, Twilight fans.)
We get it, you’re into finance — but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: “The act of imagining the future in finance goes by other names—’vision’ and ‘invention’ are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be ‘scientific,’ fantasy and creativity in envisioning the future are often ignored; they don’t fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible.”