Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
Recommended recommendations: “Eight Excellent Literary Podcasts for Your Morning Commute.”
“We have documented cases of at least 47 writers and journalists currently imprisoned in China. The average sentence for a writer is eight years in prison, and some sentences are even harsher.” PEN American Writers send a letter to Xi Jinping, President of the People’s Republic of China, in response to his visit to the U.S. We have a few pieces about censorship to pair with it.
I’ve written before about Haruki Murakami‘s advice column, but at that point it was still a work-in-progress with few details or samples available. A month later, the submission period for questions is over and Murakami’s responses are being published. The Washington Post calls the column “surrealist and sweet,” and NPR has reported on the ongoing Mr.Murakami’s Place project as well, with an emphasis on semi-magical stories involving cats.
In the current Broadway production of Twelfth Night, Mark Rylance plays Olivia, a role which sees him plaster his face in white makeup and style his hair into a “pouf like a charcoal brioche.” Rylance, the first artistic director of the Globe Theatre in London, projects such a palpable “air of distracted grief” in his performance that “the carapace of theatricality evaporates,” Charles Isherwood writes. The Times theater critic also highlights the work of John Douglas Thompson and Harriet Walter.