Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
Garth recently posited that Dave Eggers would be a great, if counter-intuitive, replacement for Philip Gourevitch at the Paris Review. Instead, the Paris Review has announced today the equally admirable appointment of FSG editor Lorin Stein to head up the venerable literary magazine. The announcement.
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
“The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.” Year in Reading alumna Sarah Manguso on envy and the purpose of writing. Pair with Jaime Green’s Millions review of Manguso’s Ongoingness.
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.