Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.
Kelly Barnhill, author of The Girl Who Drank the Moon, is the winner of this year’s Newbery Medal for “most outstanding contribution to children’s literature,” and Javaka Steptoe, author of Radiant Child: The Story of Young Artist Jean-Michel Basquiat, won this year’s Caldecott Medal.
“Writing an autobiography was therapeutic and traumatic at times, but unlike the novel it continues its therapies and trauma long after I’ve written it.” Laura van den Berg interviews Porochista Khakpour about the differences between novels and memoirs, structure, and Khakpour’s upcoming memoir, Sick. (Sick is one of our most anticipated June releases).
Having kicked off his career with a book of poetry, it’s not surprising that Ben Lerner is interested in the late Johns Hopkins professor Allen Grossman, who theorized that people dislike poetry because poems are — by definition — failures. In a piece for the LRB, he runs through the implications of Grossman’s theory, touching on poets as disparate as Shakespeare and William McGonagall. Pair with Kate Angus on why Americans don’t buy poetry books.