With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
“I became completely obsessed.” At the 92nd Street Y, Rebecca Skloot shares the story behind her bestseller, The Immortal Life of Henrietta Lacks, joined by members of the Lacks family and actress Rose Byrne, who plays Skloot in the forthcoming film adaptation of her book. Skloot also discusses how the subject of the book is intimately linked to her own father’s health crisis, which Amy Halloran wrote about in our own pages a few years back.
“Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?” Kazuo Ishiguro on film, and other novelists’ second-favorite art forms.
Another hip-hip for long-form journalism. George Packer‘s piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things — complicated geopolitical matters, for example — must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer’s assessment of the McChrystal Report on his blog.
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
“First, humans domesticated the horse. Then, we invented analgesia for the horses while we got rid of God—eliminating pain while also eliminating pain’s previously greatest meaning. This made a lonely universe. We partially solved loneliness by inventing smartphones, but this also created our now endless distraction—which, fortunately, can be treated with Vyvanse.” Sasha Chapin for Hazlitt on his friend Rachel, who is living with a terminal illness.