New this week: Flings by Justin Taylor; We Are Not Ourselves by Matthew Thomas; The Story Hour by Thrity Umrigar; Sweetness #9 by Stephan Eirik Clark; The Undertaking by Audrey Magee; Dear Committee Members by Julie Schumacher; and a new translation of a French children’s book by Lydia Davis. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
It’s not easy being a seagull. Over at the London Review of Books, Mary Wellesley takes a sympathetic look at how the much-maligned bird has been treated throughout the history of literature. Afterwards, let this essay from The Millions by Kristen Scharold on the joys of birdwatching lift your spirits a bit.
“For Germany, the Wagners are what the Atreidai are in Greek mythology. One of them, Atreus, committed a grave sin, casting a curse over all subsequent generations, beginning with Agamemnon and Menelaus, followed by Iphigenia, Orestes and Electra. The family is marked by enmity, as is the Wagner family.” On a certain influential composer.
Out this week: Made for Love by Alissa Nutting; The Reason You’re Alive by Matthew Quick; The Graybar Hotel by Curtis Dawkins; The Tower of the Antilles by Achy Obejas; Out in the Open by Jesús Carrasco; and Who Is Rich? by Matthew Klam. For more on these and other new titles, go read our most recent book preview.
As a literary technique, imitation is usually thought of as an amateur move, despite the number of classic works that began as overt acts of mimicry. At the Ploughshares blog, Anca Szilagyi comes up with several prompts for writers who want to imitate thoughtfully.
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”