New this week: Flings by Justin Taylor; We Are Not Ourselves by Matthew Thomas; The Story Hour by Thrity Umrigar; Sweetness #9 by Stephan Eirik Clark; The Undertaking by Audrey Magee; Dear Committee Members by Julie Schumacher; and a new translation of a French children’s book by Lydia Davis. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Taylor; Thomas; Umrigar; Clark; Magee; Schumacher; Davis
On American Sonnets
Stephanie Burt writes about Terrance Hayes, Wanda Coleman's American Sonnets, confinement, and the mechanics of lyric poetry.
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Poet Zero
When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.
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Goodreads Debut Author Discussion
At Goodreads, join debut novelists Malena Watrous, Peter Bognanni, Emily Gray Tedrowe, and Sonya Chung for a meaty and candid discussion, including confessions about procrastination and the fact that we all actually really enjoy writing. Moderated by Katrina Kittle. Click here to join.
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Transgressive, Interesting, Weird
This summer, Emily Books will launch a new imprint with Coffee House Press, featuring books “by women and gay men and gender outsiders—or people who had transgressive, interesting, weird personalities.” Also check out this Millions essay on what we call what women write.
“Mea maxima culpa”
At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
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