Out this week: The Magician’s Land by Lev Grossman; The Kills by Richard House; When the World Was Young by Elizabeth Gaffney; Secrets of the Lighthouse by Santa Montefiore; The Scatter Here is Too Great by Bilal Tanweer; Ride Around Shining by Chris Leslie-Hynan; Painted Horses by Malcolm Brooks; The Liar’s Wife by Mary Gordon; The Dog by Jack Livings; Bluff City Pawn by Stephen Schottenfeld; Beneath the Neon Egg by Thomas E. Kennedy; 2 A.M. at The Cat’s Pajamas by Marie-Helene Bertino; and Bad Feminist by Year in Reading alum Roxane Gay, who also came out with a novel a few months ago.
If you read my Year In Reading, and if you’re a really impulsive person, you probably already subscribed to The Virginia Quarterly Review. However if you needed more than just my testimonial in order to open up your wallet, perhaps their official list of “The Best Writing in VQR in 2012” will sway you.
Brontë for babies? Board books, those small, sturdy volumes with the glossy cardboard “pages” – generally featuring rounded corners so babies who are teething don’t cut their gums or poke out their eyes, are getting ludicrous. A new series, we’re told on the back covers, “is a fashionable way to introduce your child to the world of classic literature.”
We’ve seen a proliferation of junky editions of out-of-copyright classics, but we’ve also noted gorgeous new hardcovers from Penguin and now from much smaller outfit White’s Books, including Emma, Wuthering Heights, Charles Dickens’ Christmas Books, and several others.
New this week: Bright, Precious Days by Jay McInerney; Carousel Court by Joe McGinniss, Jr.; How I Became a North Korean by Krys Lee; Moonstone by Sjón; and Still Here by Lara Vapnyar. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“While others … have explored the more serious contexts of online humor, particularly when it tilts into the grim and mean, in Epic Fail [Mark] O’Connell makes a useful addition to what I’ll refer to as Lulz Studies by attempting to put this variety of Schadenfreude in cultural-historical perspective.”