Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)
Jonathan Safran Foer has recruited Jonathan Franzen to write one of Chipotle’s illustrated essays on their paper cups and take-out bags (which we’ve written about before). As Franzen explains it, “Chipotle store credit was a decisive factor. Chipotle is my go-to fast food restaurant. I also admire its wish to be a good corporate citizen.”
“In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering”….you’ll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It’s full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as “Alex said he ‘wanted to plant that flag in the culture,’ and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave”. Chee’s newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
Literary prizes are nothing new, but prizes that give writers real estate are a thoroughly modern development. At Salon, Michele Filgate investigates our odd new economy, in which lucky writers win leases to homes, inns and (in one case) a goat farm. You could also read our own Nick Ripatrazone on the Amtrak residency.
The “grande dame of the Beat Generation” has died at age 90. Carolyn Cassady passed away last Friday near her home in England. She was the inspiration for Camille, Dean Moriarty’s overburdened second wife in Jack Kerouac’s On the Road. Yet Cassady was a writer in her own right and published two books, Off the Road and Heart Beat: My Life With Jack and Neal, about how the Beat Generation was misunderstood.