There’s an excerpt from Darcey Steinke’s forthcoming novel, Sister Golden Hair, over at Granta right now. In our Great Book Preview, Emily St. John Mandel wrote that Steinke’s novel focuses on a family “on the brink of collapse” in early-70’s Virginia.
Colm Tóibín’s new collection The Empty Family is out today, as is comedian Patton Oswalt’s Zombie Spaceship Wasteland. New in paperback: 2010 fave The Imperfectionists. Many more new books to look forward to, of course, in our massive preview published this week.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
Apropos of our recent essay by a student hiding out in a bookstore with spotty Wi-Fi to avoid reading online, The Rumpus interviewed a bookstore and coffeeshop owner who has taken the bold step of making his establishment a WiFi-free zone. “I’ve observed and been told many times about how the availability of Wi-Fi creates a space where people are wrapped up in their own, solitary world and not interacting with each other.”
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
The trailer for City on Fire, Garth Risk Hallberg’s highly anticipated 944-page debut novel, is finally here. The trailer features a new song by Paul Maroon and Year in Reading alumnus Hamilton Leithauser. Also check out the opening paragraph of the novel.