There’s an excerpt from Darcey Steinke’s forthcoming novel, Sister Golden Hair, over at Granta right now. In our Great Book Preview, Emily St. John Mandel wrote that Steinke’s novel focuses on a family “on the brink of collapse” in early-70’s Virginia.
Sister Golden Hair Excerpt
fragment:story
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
Degrees of Separation
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri’s In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
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“The New York Times, the paper of record, had written a fictitious character to verify a fact.”
Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
Utne Reader Controversy
The Utne Reader offices are moving from Minneapolis to Topeka, and the magazine’s not taking any current employees with it.
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Stopping the Voices
It’s an age-old question for writers and thinkers: how do you quiet the noise of your thoughts? In Aeon Magazine, Tim Parks wonders if it’s even possible to silence internal monologues — and, if it is, whether that silence means losing sight of our identities. (Related: our own Mark O’Connell reviewed Parks’s latest book.)
Sighs of Relief
There’s good news for all of us with embarrassing social media adolescences. After a 34-part, Pulitzer-nominated piece of investigative journalism disappeared from the internet earlier this year, it became clear that nothing on the internet is permanent. Also, don’t blame the internet for your unproductive day–that’s just you.
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Learn from the Greats
Renowned translator and occasional Millions commenter Robert Chandler is working with a London translation program this summer, and you’re invited to join!