Darcey Steinke has a new novel, Sister Golden Hair, coming out this fall, and Granta has an excerpt available online. For more about Steinke, be sure to read Lydia Millet‘s praise for her early novel, Jesus Saves.
New Novel, New Excerpt
PEN World Voices Festival
I spent last weekend as a correspondent for the PEN World Voices Festival of International Literature. As such, I covered two events for the organization: Friday night’s ninth annual Translation Slam and Sunday afternoon’s Arthur Miller Freedom to Write Lecture featuring Sonia Sotomayor. (I also submitted a pretty sweet author photograph, if I do say so myself.) For full multimedia coverage of the entire festival, check out the PEN Live Tumblr.
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Emerging Writer’s Contest
The Ploughshares Emerging Writer’s Contest ends on May 15th! Check out the guidelines to find out more about how you can be published in the literary journal (and win a nice chunk of change).
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Because Useful
You may have heard that “because” is a preposition now, because Internet. What you may not have heard is that the American Dialect Society named “because” their Word of the Year. Their reasoning? The word's new meaning allows us to omit full clauses, which makes it useful. (Hilariously, they also named Sharknado the “most unnecessary” new word.)
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Hardcover, Paperback and The Economist
The Economist gives a succinct explanation of "why books come out in hardback before paperback," but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist's article with Nichole Bernier's Millions piece on "The Point of the Paperback."
Tuesday New Release Day: Sebald; Ugresic; Storace; Nunn; Mailer
Out this week: A Place in the Country by W.G. Sebald; Europe in Sepia by Dubravka Ugresic; The Book of Heaven by Patricia Storace; Chance by Kem Nunn; and new paperback editions of Norman Mailer’s Ancient Evenings and Tough Guys Don’t Dance.
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Gun Wizard
What do you call a genre that mixes westerns and fantasy novels? Damien Walter proposes the term “weird western.” In The Guardian, he runs down the history of the hybrid category, citing Joe Abercrombie’s Red Country and Molly Tanzer’s Vermillion as examples. Pair with Daniel Kalder on the Euro-Western.
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