“To read something before it is accessible to all is both a privilege and an unfair advantage.” Je Banach’s notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
“Were you happy? With Green it’s likelier you were in love, attuned to the littlest differences, rapt at eventless descriptions that should be boring but aren’t, in awe of the way a cut-rate bunch of flowers is described, interpreting each symbol as a sign, sickened when your interpretation failed.” On the novels of Henry Green.
Didn’t find the latest New Yorker cartoon funny? Take it up with The New Yorker‘s cartoon editor, Bob Mankoff, who discusses the magazine’s “idea drawings” and humor in his TED talk, Anatomy of a New Yorker Cartoon. Bonus: check out Mankoff’s favorite New Yorker cartoons.