“To read something before it is accessible to all is both a privilege and an unfair advantage.” Je Banach’s notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
“I’m the one who gets asked, publicly, how I manage to write and teach and have three kids. Do you get those questions, or do people just assume there is a woman doing all of the homemaking so you can go upstairs and write?” Poets Tracy K. Smith and Gregory Pardlo discuss David Bowie vs. Elton John, the confessional vs. the abstract, and the balance between family and work. Also check out Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.
A collection of striking photos of numerous well-known contemporary writers, in two galleries. Somehow these pictures exude the literary.Blogger lonelysandwich makes the only half toungue-in-cheek observation that the original cover of tennis fan David Foster Wallace’s Infinite Jest shares a color scheme with those Andre Agassi Nikes that were all the rage in the early ’90s.George Saunders appeared on Letterman last week, as you may have heard. onegoodmove put the clip online.
HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
William Weaver, Italo Calvino’s longtime translator, writes about the pair’s “complex relationship,” their “consuming passion for words,” and the Cosmicomics author’s travels through “his invisible cities, cities of ideas, or perhaps ideas masquerading as cities.”