What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
Recommended Reading: Paula Marantz Cohen on Norman Mailer’s most infamous book review.
Last year we highlighted University of Nebraska Press among other small presses for the keeping in print otherwise little known future Nobel laureates. Today’s honoree Mario Vargas Llosa is quite well-known by comparison, but University of Nebraska Press has nonetheless (barely) run its Nobel streak to three straight years by way of Vargas Llosa’s inclusion in the press’ soccer writing anthology, The Global Game: Writers on Soccer.
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
From the person who brought you Infinite Boston comes Infinite Atlas, an interactive map of the places that make up Infinite Jest, and, for the truely devoted, the Infinite Map, a framable print version of that atlas. Page-Turner offers an extended preview of D.T. Max’s Every Love Story Is a Ghost Story. Maria Popova highlights a few of the signature DFW words that he adopted from his mother.