“The Time I Spent On A Commercial Whaling Ship Totally Changed My Perspective On The World,” a blogger named Ishmael writes, on the sister blog to The Onion. (But I like these titles better.)
If we explain this any more the joke will be lost
The 3 Quarks Daily annual Arts and Literature Prize!
The 3 Quarks Daily annual prize for Arts and Literature blog writing has been announced! Nominations are open in the comments of the announcement. This year’s judge is author, professor, blogger, intellect Laila Lalami. Dear readers, feel free to nominate any Millions writing you enjoyed here. And to the guest contributors out there, be sure to nominate your Millions contributions!
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Fiction Contest at Columbia
Columbia: A Journal of Literature and Art has a fiction, nonfiction and poetry contest going on that pays $500 to first prize winners. Joshua Ferris is judging the fiction entries. Deadline is 1/1/2010.
The Best of Peter Matthiessen
To honor Peter Matthiessen, who passed away over the weekend, The New Yorker unlocked part of one of the author’s best pieces of travel writing. The piece, titled “The Last Wilderness,” follows Matthiessen as he travels down the Amazon River. (His last novel comes out this week, as well.)
‘1984’ in 2019
George Packer asks what 1984 means in today's America, and explains why Orwell never intended his novel to be a prediction, only a warning.
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Self-Publishing like a Woolf
“History is littered with poets… who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work.” Self-publishing is something we’ve written about many times before, but Sarah Gonnet raises a good point – self-publishing isn’t truly a new phenomenon, and it does allow for a great deal of creative freedom.
Cover to Cover
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
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