Putting aside for a moment the racist phrenological roots of the terms “highbrow” and “lowbrow,” here’s an interesting conversation on what the difference between them means for literature now. For a historical take, check out this graphic from a 1949 edition of LIFE magazine, which taught me a real gentleman wears fuzzy tweed, and iceberg lettuce is never in style.
“Dear publisher, I am sorry if I do so few of these stories justice. Someone else surely will. I don’t know what justice for a book is but I think I saw it as I prayed over this one.” Matthew Jakubowski reviews Diane Williams’ latest collection Fine, Fine, Fine, Fine, Fine at Minor Literature[s]. You could also read his reviews of Azareen Van der Vliet Oloomi’s Fra Keeler and Margriet de Moor’s The Storm at The Millions.
Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
“Today’s vampires have traded their capes for fashionable leather jackets, their claws for manicures.” Becca Rothfeld writes for the Los Angeles Review of Books about the “the distressingly human lives of vampires today.” Pair with our own Emily Colette Wilkinson‘s “Ethical Vampires” and “Ethical Vampires, part II.”