Putting aside for a moment the racist phrenological roots of the terms “highbrow” and “lowbrow,” here’s an interesting conversation on what the difference between them means for literature now. For a historical take, check out this graphic from a 1949 edition of LIFE magazine, which taught me a real gentleman wears fuzzy tweed, and iceberg lettuce is never in style.
Every height of brow
On Hunger
Alexander Chee has a stunning new story in Guernica. He writes, “I wanted to eat and so I learned to sing…It took more than a witch to make a singer out of me.” Pair with Claire Cameron’s Millions interview with the author about his new novel, The Queen of the Night.
Booksellers React to Borders’ Bankruptcy
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
The Museum That Was Written Down
The fictional museum described by Orhan Pamuk in his novel The Museum of Innocence has been made into a real museum in Istanbul: “…the line between fiction and reality is both highlighted and blurred.” (via Book Bench)
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New Lit Mag Alert: The Austin Review
A new, non-profit literary journal has launched in Austin, Texas. Each issue of The Austin Review will include four pieces of flash non-fiction, four short stories, and one work of critical analysis. Special attention will be paid to writers from the city that gave us Sixth Street.
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To Have or Have Not
Read our own Edan Lepucki’s great review of Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids? Then you might want to read Vivian Gornick’s complementary take on the book. In Bookforum, she reads Meghan Daum’s anthology as well as Kate Bolick’s Spinster, placing the two in a broader feminist context.
What do Liza Minnelli, Michael Jackson, and Abu Ghraib have in common?
Picador’s digital marketing team put together a playful web series for Wayne Koestenbaum‘s Humiliation. John Waters has called the book “the funniest, smartest, most heartbreaking yet powerful book I’ve read in a long time.”
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