Fifty years ago, Frank O’Hara released Lunch Poems, a collection of remarkably informal poetry that rebuked the more academic verse of his day. As a tribute, Dwight Garner writes about the importance of the book in the Times, arguing that O’Hara’s grasp of the zeitgeist is the reason he appeared on Mad Men. For more on the poet’s legacy, take a look at Christopher Richards on O’Hara’s lessons for being gay.
A Side of Poetry
The Fleshy School
It looks like it’s a poetry kind of morning. Spring is on its way, and what better way to celebrate than with Dante Gabriel Rossetti’s “The Sun’s Shame,” a poem of death and desire … and also sunshine: “All soulless now, yet merry with the Spring!”
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In the News
Last Thursday’s Goodreads event hosted by Patrick and featuring Emily Mandel and attended by myself and several other Millions writers and alums got written up in the Wall Street Journal. I’m told that there is a photo of yours truly in the print version, but a hard copy of the WSJ is hard to come by here in the woods. Also, Clancy Martin likes The Millions and some other great sites!
What Scares You
“If what you’re writing doesn’t scare you, you probably ought not be writing it.” The Rumpus interviews Josh Weil, author of The Great Glass Sea.
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A Literary Thriller
Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
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False Negative
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
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Literary Playlists (Again)
A. A. Knopf and Doubleday publishers have gathered Spotify playlists by such notables as Colson Whitehead, Jennifer Egan, Erin Morgenstern, and a selection of songs and artists mentioned in Haruki Murakami‘s 1Q84.