“It is early August. A black man is shot by a white policeman. And the effect on the community is of “a lit match in a tin of gasoline.” No, this is not Ferguson, MO.” Laila Lalami reports for NPR on rereading James Baldwin‘s Notes of a Native Son in the context of Ferguson. Pair with Teju Cole‘s essay in The New Yorker about rereading Baldwin’s “Stranger in the Village.”
“A Native Son” in Ferguson
Mean Reading
In the current issue of Tin House Robin Romm has a very compelling essay on the value of mean-spirited judgement in our novels, especially as empathy becomes reified into fiction's greatest gift and virtue, or even treated as a therapeutic offering.
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Hats Off to the World’s First Chinese Laureate
On Thursday, the fiction writer Mo Yan won the Nobel Prize for Literature, which marks the first time a Chinese writer has won the prestigious award. Lauded for his command of “hallucinatory realism,” Yan (whose pen name translates to “not talking” in Mandarin) has drawn comparisons to Faulkner for the complexity of his fictional settings. Back in 2005, John Updike published his thoughts on the writer.
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How to read the New Yorker this summer
Starting today and lasting until the end of the summer, The New Yorker is completely free online, including archives back to 2007. What to read? To start off, try searching the fiction page for, say, George Saunders. There's that famous Lawrence Wright piece on Scientology. Or feel free to consult the magazine's own roundup. But I happen to be most impressed by this grandaddy of all longform articles on six survivors of Hiroshima (subscription required).
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The Fifth Borough
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
The Freedom of Limits
“Limits stop you from living a life without limits,” writes Augusten Burroughs. “Of course, this is only an illusion. What limits really do is give you an acceptable excuse to avoid doing something.” (He’s talking about life, not Oulipo.) The piece is excerpted from his recent book, This Is How.
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Multi-Talented Nick Cave
You have to be a little in awe of the multi-disciplinary artist. Musician Nick Cave, who made his screenwriting debut with The Proposition, talks to the New Yorkerabout his new novel, The Death of Bunny Munro, as well as the multi-media audio book version.
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