On the topic of reading classics: Alberto Manguel at the New York Review of Books considers the dialogue across history that books afford. “The relationship between a reader and a book… eliminates the barriers of time and space, like ‘conversations with the dead.'”
The New York Times Book Review commissioned a work of fiction about the election from Chimamanda Ngozi Adichie. She chose to write about Melania Trump. If you can handle more Trump, check out Greg Chase’s portrait of a Trump supporter, based on Faulkner’s The Sound and The Fury.
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
In a 2010 profile, Deborah Eisenberg told us, of her current efforts at writing fiction, “I’m sort of desperately throwing myself against pieces of paper and only coming up with what look like bug smears.” Now, as will shock none of her readers Eisenberg has come up with something considerably more appetizing: a new short story called “Recalculating.” It’s available, free, at the NYRB (!).
Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”