On the topic of reading classics: Alberto Manguel at the New York Review of Books considers the dialogue across history that books afford. “The relationship between a reader and a book… eliminates the barriers of time and space, like ‘conversations with the dead.'”
Perhaps inspired by the news, first reported a few years ago, that mad scientists in the Indian army plan to weaponize superhot chilis, Lauren Collins ventures bravely into the world of extreme heat. As a warning to readers who fancy themselves tough, she quotes a doctor who makes clear that these peppers aren’t just hot — they’re lethal.
“It’s rough out there for artists and writers right now, I know. There are days when you just want to throw in the towel, say fuck it, fake your own death, give insurance fraud a go, and live out of a Winnebago somewhere in remote Ontario. That’s a good plan—that’s a really good plan—but remember, you’ve got options.” The Paris Review considers the life of artist Reuben Kadish, who bought a disused dairy farm, made it a viable business in a decade’s time, and changed his medium from painting to sculpture in the process.
For those of us who refuse to trade in the typewriter, however, there’s always our popular piece on how to write a novel.
“It’s not easy to choose only five books, so I made up my mind and decided to mention the five I can’t help reading again, once in a while, because they are still here for me today.” Here’s a list of five necessary French books that you should be reading, including works by Louis-Ferdinand Céline and Marguerite Duras.
Saul Bellow met Jack Ludwig at Bard College in the fifties. The two became friends, and founded a magazine together, called The Noble Savage. Then, not long after the magazine began running, Ludwig started an affair with Bellow’s wife. Here’s the letter Bellow sent him when he found out. You could also read our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.