Out this week: Friendship by Emily Gould; God Is an Astronaut by Alyson Foster; How to Tell Toledo from the Night Sky by Lydia Netzer; The Actress by Amy Sohn; Last Night at the Blue Angel by Rebecca Rotert; The Sleepwalker’s Guide to Dancing by Mira Jacob; Three Light-Years by Andrea Canobbio; The Sacred River by Wendy Wallace; The Great Glass Sea by Josh Weil; and a previously unpublished short story by Samuel Beckett.
Tuesday New Release Day: Gould; Foster; Netzer; Sohn; Rotert; Jacob; Canobbio; Wallace; Weil; Beckett
Microscopic Tears
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
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Talking with Matthew Weiner
Just in time for the new season of Mad Men, The Paris Review unlocked their interview with Matthew Weiner from the new issue. The showrunner talks, among other things, about his father’s love of Swann’s Way and his own adolescent love of Winesburg, Ohio. You could also take a look at our own Hannah Gersen’s list of books to read when the season winds down.
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Alexander Chee: “I, Reader”
Alexander Chee has a lovely essay about books and technology up at The Morning News.
The Feel of Municipal Politics
Recommended Reading: Parul Sehgal on Jonathan Franzen’s first novel. (You could also check out Eric Lundgren’s counterpoint.)
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Richard Branson, Literary Cupid
“[L]isting The Bible proves detrimental for both sexes while listing Fifty Shades of Grey results in women getting 16% fewer messages and Harry Potter losing men up to 55%.” In recent duh news, a study by dating site eHarmony found that book readers are found to be “more intellectually curious than most and find it easier to form open and trusting relationships with others” – but not all books are equal, reports The Independent.
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What About Your Head?
“None of us made love, we had only reproaches for one another. I hated that dependency and yet I couldn’t live without it.” This short piece by Mercè Rodoreda from the new issue of Harper’s Magazine is brutal and surprising. The piece is an excerpt from Rodoreda’s War, So Much War, out later this month.
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