Out this week: Friendship by Emily Gould; God Is an Astronaut by Alyson Foster; How to Tell Toledo from the Night Sky by Lydia Netzer; The Actress by Amy Sohn; Last Night at the Blue Angel by Rebecca Rotert; The Sleepwalker’s Guide to Dancing by Mira Jacob; Three Light-Years by Andrea Canobbio; The Sacred River by Wendy Wallace; The Great Glass Sea by Josh Weil; and a previously unpublished short story by Samuel Beckett.
In Florida, legislators are wondering whether or not they should raise tuition costs for students studying the humanities, or really anything other than STEM fields. Likewise, James Dyson (yes, the vacuum guy) bemoans Britain’s abundance of “students choosing to read humanities at university.” As a rejoinder, one New Statesman blogger notes that the study of humanities does not inhibit technological innovation, and that as a bonus, “we gain from having people who reshape our cultural landscape and put things in new contexts.”
Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued “to work at the bank even after his poems [became] successful,” and that the poet found the work “more conducive to writing poetry and criticism than taking a more literary job might be.”
“He had never slept in a better bed, Rainsford decided later, lying in his bed, after they had played several rounds of various games, and didn’t hunt one another at all.” You probably encountered Richard Connell’s The Most Dangerous Game at some point during your educational career — you definitely never came across this “comforting and anodyne” version, though.
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
Jennifer Lawrence is putting down Katniss’s bow and arrow for another literary adaption. She will star as the malevolent Cathy Ames in a new adaptation of John Steinbeck’s East of Eden. Gary Ross, who first teamed up with Lawrence for The Hunger Games, will direct. Pair with: Our essay on vile women in fiction, which features the infamous Cathy.