“Sitting down to read The Actress, Amy Sohn’s newest novel, is even better than standing in line at the grocery store while the person in front of you disputes the price of a carton of orange juice, giving you extra time to read the tabloids. The Actress might be as licentious as a tabloid, but it is far more intelligently written. And, you probably won’t be reading it while standing in line inside a grocery store.”
Tabloid Fodder
The New Yorker on The Late American Novel
The folks at The New Yorker’s Book Bench offer their take at The Late American Novel: Writers on the Future of Books. (Spoiler Alert: Katherine Hepburn gets a shoutout.)
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James Salter on MH370
Well, this was unexpected. James Salter draws on his wartime flight experience to write a brief post about Flight MH370 for The New Yorker.
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Cash, Credit, or Barter?
Trader Joe’s, circa 1877: “It’s always the same complaint: ‘Joe, you don’t have any of the essential items that every other trading post has. Why don’t you have saddles? Or gunpowder? Or basic tools?’ Because I have soy chorizo, that’s why! Because I have chocolate-covered peanut-butter-filled pretzels!”
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Blind Date with Dostoevsky
At the Paris Review Daily, Elif Batuman walks us through part one of her 12-hour blind date with Dostoevsky. (via Book Bench)
Defining Poetry
A look back at the women who have edited Poetry magazine.
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Run (and Write) Like the Wind
“But writers and runners know that when you settle into a long-distance run or hit your stride with the work, something other than your body takes over.” For LitHub, our own Nick Ripatrazone writes about the similarities between long-distance running and writing. Pair with: an essay on the poetics of running.