Recommended reading: Sean Singer reviews Poetry of Witness for The Rumpus and calls for readers to see “poems as ethical and political act[s] in the face of extremity.” Pair with selections from editor Carolyn Forché‘s essay on 20th century poetry of witness.
Poems in Extremity
“Immaculate glass world of the spirit”
Recommended Reading: Anka Muhlstein on Stefan Zweig (whose work, you may have heard, inspired Wes Anderson’s latest film).
Tuesday New Release Day
Andrew O’Hagan, whose books have gotten some Booker Prize notice over the years, has a new one out (it’s been out in the UK for a while now) called The Life and Opinions of Maf the Dog, and of His Friend Marilyn Monroe, which, as the title perhaps suggests, is told in the voice of Monroe’s Scottish maltese poodle called Maf. Also out this week is Tom Clancy’s first new “Jack Ryan” thriller in quite some time, Dead or Alive.
“Most boring meteorological significance”
Vanity Fair has an excerpt of Back to Blood in its latest issue. (Our own Nick Moran’s review of the book is worth reading before you proceed.)
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The Banal, Unexceptional Recovering
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
A very colorful Queen!
Pantone has released a Queenly color wheel, made especially to mark Queen Elizabeth’s Diamond Jubilee. The wheel is made up of the Pantone referents for the colors her Majesty has worn throughout her reign, and each chip bears a historical note on the particular hue’s tie to her wardrobe. This is especially good news if, like Slate, you think that the Queen is the most fashionable woman in the world.
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Valeria Luiselli on Writing Through the Pandemic
Valeria Luiselli on the importance of writers documenting this moment in time, at their own pace and within their own capacity.
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