If the first paragraph – and really, the entirety – of Jay Jennings’s piece about retracing the True Grit trail doesn’t make you want to drop what you’re doing and hit the road, then you and I are fundamentally different human beings.
On the True Grit Trail
Ben Greenman Interviewed
Ben Greenman, a favorite around here, interviewed at Failbetter.
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Wimmer on Translation
Natasha Wimmer, translator of Roberto Bolaño's 2666 and Álvaro Enrigue's Sudden Death, explains her work process and why she’s translating a woman’s work next. Pair with our founder C. Max Magee’s thoughts on machine translation.
DFW, ctd.
On Friday, the Ransom Center at the University of Texas-Austin opened up its holdings of The Pale King, DFW’s last novel (which our own Garth Risk Hallberg reviewed for New York Magazine). At Page-Turner, D.T. Max picks through the new papers.
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Where You From?
Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison's Sula.)
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The Headless Horseman
"Every culture has its monsters," and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
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TimeScapes
Even if Tom Lowe's forthcoming debut film TimeScapes consists solely of this production footage on loop, it'll still be jaw-droppingly beautiful.
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“The history of sex is also a literary history.”
We knew this day would come. A review of Fifty Shades of Grey appears in The Los Angeles Review of Books. Your move, Robert Silvers.
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A great hater of bad books.
The true confessions of Lev Grossman, book reviewer: "There was a time when I actually believed, because I was an ass, that as a critic I was an avenging angel with a flaming sword, and that part of my job was to help rid the culture of books that were sucking up more of the literary oxygen than they deserved."