Meeting the Locals

In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.

"Young black fiction writers in the U.S. often face a strange obstacle as they try to figure out who they are — it’s called American literature. A high number of pre-civil-rights-era novels by white American writers are likely to include tossed-off racial slurs and/or stock black characters, some of which make racially conscious readers want to hurl the book across the room, even if the wooly-headed pickaninnies are only peeking around a doorjamb on one page out of 400. There are exceptions, but shockingly few. You always have to brace yourself — always." James Hannaham writes about growing up in Yonkers but finding himself in Southern literature.

Perhaps the best mashup of highbrow and lowbrow to grace the cultural ether in recent years is this innovative scratch-and-sniff guide to becoming a wine expert. The book, which is exactly what you think it is, declares that “not all oaks are created equal” and includes a diagram of “all the smells in the world.” (Related: literary tourism at Suttree’s High Gravity Beer Tavern.)

Out today are Zsuzsi Gartner's Better Living Through Plastic Explosives, which was shortlisted for Canada's top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.