Book reviews are great and all, but even we sometimes feel they’re missing something. Enter Kevin Thomas, whose HORN! illustrated reviews for The Rumpus are beautiful and informative in under 9 panels. Compare his pieces on Roxane Gay‘s An Untamed State or Leslie Jamison‘s The Empathy Exams to our reviews here and here, and be sure to check out the just-published HORN! The Collected Reviews.
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
No matter what you think of the bookish offspring of the OED’s word of the year, you should know that Neil Gaiman gave the term “shelfie” some more press. While moving out of his house, the author took a “tragic shelfie,” aka a picture of his books packed away in boxes. (Related: our own Tess Malone reviewed Gaiman’s latest book.) (h/t The Paris Review)