Book reviews are great and all, but even we sometimes feel they’re missing something. Enter Kevin Thomas, whose HORN! illustrated reviews for The Rumpus are beautiful and informative in under 9 panels. Compare his pieces on Roxane Gay‘s An Untamed State or Leslie Jamison‘s The Empathy Exams to our reviews here and here, and be sure to check out the just-published HORN! The Collected Reviews.
“I should probably write a few words about 2015, but the year is stale now, rung out like a damp dish rag and left to dry in the cold, dour winds of some rundown burg blasted off the map by poverty and overcast. 2015 has been recorded, logged, and filed away as History, and as an American, I abide by my country’s allergy to revisiting History.” Catapult’s Mensah Demary on the tradition of New Year’s resolutions.
The trailer is out for the film adaptation of Nobel laureate Alice Munro’s Hateship, Friendship, Courtship, Loveship, Marriage. The film will star Kristen Wiig, Guy Pearce, Hailee Steinfeld and Nick Nolte among others.
Most institutions that become an essential part of a local culture build up a collection of curios over the years. They collect as much evidence as they can of their proximity to major events. At the New York Public Library, for example, you can find a letter opener whose handle is made from the paw of Charles Dickens’s dead cat. (h/t The Paris Review Daily)
Is the global literary marketplace changing the way that novelists write? Over at Public Books, Dora Zhang writes on Rebecca Walkowitz’s Born Translated and books that “appear simultaneously or nearly simultaneously in multiple languages.” Pair with this Millions piece on literary translators at work.
Sam Sacks takes a look at the “two major acts” in the life of Vasily Grossman, the Jewish-Russian author perhaps best known for his monumental account of the Stalingrad siege, Life and Fate. (Bonus: Life and Fate was picked by Stephen Dodson as his Year in Reading pick back in 2011.)
“I am going to propose: The rigmarole is truly underexploited. Everyone should write a ‘Conversations with Drummond’ about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both.” Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.