The Imperfectionists author and Year in Reading alum Tom Rachman has a new novel on shelves this week, as does Orson Scott Card. Also out: Eyrie by Tim Winton; O, Africa! by Andrew Lewis Conn; So Much a Part of You by Polly Dugan; Stars Go Blue by Laura Pritchett; Third Rail by Rory Flynn; and Time of the Locust by Morowa Yejide.
Tuesday New Release Day: Rachman; Card; Winton; Conn; Dugan; Pritchett; Flynn; Yejide
The Literary Criticism of T.S. Eliot
“[M]ore people have thought Hamlet a work of art because they found it interesting, than have found it interesting because it is a work of art.” Who other than T.S. Eliot could get away with questioning the artistic quality of Hamlet?
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Welcome, Kate!
This week we are delighted to announce that Kate Gavino is joining The Millions as Social Media Editor! Kate is a writer, illustrator, and creator of the website Last Night’s Reading, which was compiled into a published collection by Penguin Books in 2015. Her second book, Sanpaku, was published by BOOM! Studies in August of 2018. She most recently worked as a social media editor at Brooklyn Public Library.
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Back to School
The Guardian has a list of its five favorite on-campus novels, including Jeffrey Eugenides‘ The Marriage Plot, which we ran an excerpt of back when it came out, and Donna Tartt‘s The Secret History, whose connections to the academy we’ve also explored on the site.
Nine Poetries
Need some more poetry in your life? Catch up on the year’s best collections. At Page-Turner, Dan Chiasson chooses nine books he predicts will be read in a hundred years, including Corridor by Saskia Hamilton and Go Giants by Nick Laird. FYI, I wrote a Curiosity about one of Chiasson’s picks.
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Hateship, Movieship
The trailer is out for the film adaptation of Nobel laureate Alice Munro’s Hateship, Friendship, Courtship, Loveship, Marriage. The film will star Kristen Wiig, Guy Pearce, Hailee Steinfeld and Nick Nolte among others.
Stevenson as Kurtz
“Since the middle of the 20th century, the academy has conditioned us to stay grounded within texts and steer clear of writers’ biographies for insights while biographers are often timid about the kind of playful speculation that we can undertake here in Slate. Readers, myself included, tend to wonder about the sources for characters the likes of Kurtz, Sherlock Holmes, and Jay Gatsby—larger-than-life, mysterious, existing on a kind of separate plane—and in doing so we are continuing the quests of the narrators who tried first (Marlow, Watson, and Carraway).” Matthew Pearl asks: was Robert Louis Stevenson the blueprint for Conrad‘s Kurtz?
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